The three main areas of a Greek theatre were the theatron, orchestra, and skene. The theatron, was the curved audience seating area. The orchestra, acted as the performance area for the chorus. In the middle of the orchestra usually sat a stone altar to Dionysus.
Who were the audience in Greek Theatre?
Greek audiences were talkative and unruly. If they disliked a play, they would drum their heels on their benches, jeer loudly and throw fruit. At the City Dionysia Festival, the plays were presented in competition with each other. There were prizes for the best comedy and the best tragedy.
Who attended Greek Theatre tragedies?
The festivals were attended by all Athenian citizens (likely women as well as men) and visitors from throughout Greece. In the tragic competition, each of three tragic poets wrote, produced, and probably acted in three tragedies on a single theme.
Where did the audience sit in Greek Theatre?
The audience sat on seats carved out of a hillside. These seats encircled a round playing area called the orchestra where the chorus performed. At the back of the orchestra was the skene.
Who wrote Oedipus Rex?
Oedipus Rex is an opera-oratorio in two acts composed by Stravinsky in 1926–27 after Sophocles’s tragedy Oedipus Tyrannus and is scored for a speaker, soloists, male chorus and orchestra.
What was the typical size of the audience that watched Ancient Greek plays?
When viewing a classical Greek play, the audience would see a chorus of anywhere from 4 to 30 people on stage with the actors. The chorus performed elaborate dances and sang the choral interludes— usually discussions by the citizens within a story.
Who created dialogue and introduced the first actor?
In the 6th century BC a priest of Dionysus, by the name of Thespis, introduces a new element which can validly be seen as the birth of theatre. He engages in a dialogue with the chorus. He becomes, in effect, the first actor.
Who watched medieval theatre?
The priests and monks were the actors. Each scene or act was preformed at a different place in town and the people moved from one stage to the next to watch the play. The play usually ended outside the church so that the people would go to church and hear a sermon after watching the play.
Which of the following is the seating area for the audience in a Greek play?
The orchestra of the theater of Dionysus in Athens was about 60 feet in diameter. Theatron: The theatron (literally, “viewing-place”) is where the spectators sat. The theatron was usually part of hillside overlooking the orchestra, and often wrapped around a large portion of the orchestra (see the diagram above).
Why was creating and viewing Theatre an important part of ancient Greek society?
Crowds of 15,000 people would gather to see a play. Theatre was so important to the ancient Greeks that prisoners would be released from jail temporarily, so they could also attend. Every town had at least one theatre.
Who is Dionysus?
Originally Dionysus was the Greek god of fertility. Later, he came to be known chiefly as the god of wine and pleasure. The Romans called him Bacchus. Dionysus was the son of the supreme god Zeus and Semele, the daughter of a king.
Who Wrote Antigone?
Sophocles is thought to have written over 100 plays, but only seven fully survive today: Ajax, Antigone, Trachinian Women, Oedipus the King, Electra, Philoctetes, and Oedipus at Colonus.
What is the main theme in Oedipus Rex?
The main themes of the play are: fate and free will (the inevitability of oracular predictions is a theme that often occurs in Greek tragedies); the conflict between the individual and the state (similar to that in Sophocles’ “Antigone”); people’s willingness to ignore painful truths (both Oedipus and Jocasta clutch at …
Why is Oedipus mad at Tiresias?
In this scene, Oedipus gets angry at Teiresias because the prophet won’t reveal the identity of Laius’ murderer. It’s clever of Sophocles to use this scene to show Oedipus’ temper. Up until now the king has behaved rationally. He allows the Chorus to speak their mind and is doing his best to save his people.